In the past month, I’ve been messing around with a strange form of ‘writing’ called blackout poems. I was inspired by Austin Kleon, who helped popularise the form. Since then, hundreds of people have ran with it, creating new and different poetry using existing texts.
It’s a really interesting format that has a lot of potential. You take a newspaper article, pick some words and scribble out the rest. Weird phrases and snippets of almost poetry emerge. It reminds me of William Burrough’s cut up technique, where he would re-arrange his sentences at random. The resulting poems are reliant on the...
The live music experience is still thriving, even as CD sales fall. For many bands, it is the primary way of making a living. It seems odd that even as we devalue recorded music, live music has stayed important. I believe it comes down to the experience.
A live performance is special partly because it is a shared experience. Even if you attend a gig by yourself, you are surrounded by like minded fans and the band. We are social creatures at heart and being physically present with others adds a power and intensity to the experience. You are forced...
Last Saturday, somewhat spontaneously, I went to see High Rise, the newest film by Ben Wheatley. I’d previously seen Sightseers and A Field in England and enjoyed them both. The later wasn’t wholly successful, but it felt very different to any other film I’d seen before.
High Rise looks like his most conventional film yet, given its slick advertising and Hollywood stars like Tom Hiddleston and Sienna Miller. However, it manages to be much more shocking and unconventional.
Last Good Friday, I found myself hunched over the computer, fiddling with styles and formatting while outside was bright sunshine. It was all in aid of getting my first collection of short stories published, Amber Stars.
The book started as a couple of stories and ideas I was playing around with in private. I wrote Welcome Home and The Underworld mostly for myself. It was an exercise in keeping my fingers busy. I often have quite a few writing projects on the go and these stories were just another one I was going to keep to myself. My tendency is to...
Why not take five minutes out of your day to watch this:
It’s an incredible machine made by Wintergatan. Overly complicated and intricate, it is fully programmable and has the ability to play the melody, bass and drums all at the same time while changing key halfway through the song. It took the artist fourteen months to build.